1815-1855
American painter. He was physically handicapped and confined to his house until his doctor advised a wheelchair, which, when placed on a railway carriage, allowed him to travel. He took painting lessons as therapy from Franklin White, a pupil of Chester Harding, and became proficient as an artist. This enabled him to make a living painting portraits, landscapes and miniatures throughout New England and part of New York State. He kept a journal that lists 912 examples of his work executed between 1832 and 1846, with the names of his sitters, canvas sizes, the prices charged and where the pictures were painted. No examples of his landscapes have survived and only a few of his 80 miniatures have been located. The earliest miniatures date from 1836, but most were executed in 1842 and 1845 when he lived in New Bedford, MA. Few American primitive artists of the 19th century were as productive as Stock. Related Paintings of Joseph Whiting Stock :. | Bayou Plaquemines | Alice Liddell | Flood at Port Marly, | Installation du Conseil d'etat au palais du Petit-Luxembourg | Christ befroe Caiaphas | Related Artists:
Lemuel Francis Abbott1760-1803
Lemuel Francis Abbott Locations
English painter. He was the son of a clergyman and went to London to study with Francis Hayman shortly before the latter death in 1776; he may have completed his studies in Derby with Joseph Wright of Derby. By the early 1780s Abbott had established a busy portrait practice in London. The formula he adopted for most of his head-and-shoulder portraits can be seen in Sir William Herschel (1785; London, N. Mar. Mus.): the body is parallel to the picture plane, and the sitter head is moved into three-quarter profile, as if his attention has been suddenly distracted. In later portraits, such as those of fellow artists Francesco Bartolozzi (c. 1792; London, Tate) or Joseph Nollekens (c. 1797; London, N.P.G.), the sitter hand or some attribute balances the movement of the head. Only male portraits by Abbott are known, and his patrons were mostly drawn from the professional classes, particularly the Navy; there are several versions of Lord Nelson (e.g. 1798; London, N. Mar. Mus.). His style is crisp but scratchy in technique, and often the anatomy of his figures is inaccurate. Paint is handled in a manner comparable with that of Gainsborough Dupont, but Abbott sense of composition is superior. In 1798 he was certified insane, but he continued to exhibit at the Royal Academy in London for two further years. Several of his works were probably finished by another hand.
Hill, John WilliamEnglish Painter, 1812-1879
Painter and illustrator, son of John Hill. At the age of seven he moved to Philadelphia, PA, with his family. In 1822 he moved to New York, where he was apprenticed to his father for seven years. During this time, he worked on the aquatint plates for William Guy Wall's Hudson River Portfolio (1821-5),
Granville Redmond1871-1935
Granville attended the Berkeley School for the Deaf (later the California School for the Deaf) from 1879 to 1890 where his artistic talents were recognized and encouraged. There his teacher Theophilus d'Estrella taught him painting, drawing and pantomime.
When he graduated from CSD, Redmond enrolled at another CSD: the California School of Design in San Francisco, where he worked for three years with teachers such as Arthur Matthews and Amedee Joullion. He famously won the W. E. Brown Medal of Excellence. He associated with many other artists, including Gottardo Piazzoni and Giuseppe Cadenasso. Piazzoni learned American Sign Language and he and Redmond were lifelong friends. They lived together in Parkfield, California, and Tiburon.
1893 saw Redmond win a scholarship from California School of the Deaf and from the School of Design, which made it possible for him to study in Paris at the Academie Julian under teachers Jean-Paul Laurens and Benjamin Constant. At the Academie Julian, he roomed with sculptor Douglas Tilden, famous deaf sculptor and another graduate of the California School for the Deaf. In 1895 in Paris his painting Matin d'Hiver, was accepted for the Paris Salon.